“[A] superb history.... In these thrilling, highly readable pages, we meet Rasputin, the shaggy, lecherous mystic...; we visit the gilded ballrooms of the doomed aristocracy; and we pause in the sickroom of little Alexei, the hemophiliac heir who, with his parents and four sisters, would be murdered by the Bolsheviks in 1918.” —The Wall Street Journal
Here is the tumultuous, heartrending, true story of the Romanovs—at once an intimate portrait of Russia's last royal family and a gripping account of its undoing. Using captivating photos and compelling first person accounts, award-winning author Candace Fleming (Amelia Lost; The Lincolns) deftly maneuvers between the imperial family’s extravagant lives and the plight of Russia's poor masses, making this an utterly mesmerizing read as well as a perfect resource for meeting Common Core standards.
"An exhilarating narrative history of a doomed and clueless family and empire." —Jim Murphy, author of Newbery Honor Books An American Plague and The Great Fire
"For readers who regard history as dull, Fleming’s extraordinary book is proof positive that, on the contrary, it is endlessly fascinating, absorbing as any novel, and the stuff of an altogether memorable reading experience." —Booklist, Starred
"Marrying the intimate family portrait of Heiligman’s Charles and Emma with the politics and intrigue of Sheinkin’s Bomb, Fleming has outdone herself with this riveting work of narrative nonfiction that appeals to the imagination as much as the intellect." —The Horn Book, Starred
Winner of the Los Angeles Times Book Prize for Young Adult Literature
Winner of the Boston Globe–Horn Book Award for Nonfiction
A Robert F. Sibert Honor Book
A YALSA Excellence in Nonfiction Award Finalist
Winner of the Orbis Pictus Award for Outstanding Nonfiction
An Excerpt fromThe Family Romanov: Murder, Rebellion, and the Fall of Imperial Russia
The Boy Who Would Be Tsar
On a frosty March day in 1881, the boy who would become Russia’s last ruler glimpsed his future. That morning, Nicholas’s grandfather, Tsar Alexander II, was riding through the streets of St. Petersburg when a man stepped off the sidewalk. He hurled a bomb at the imperial carriage. Miraculously, the tsar went uninjured, but many in his retinue were not as lucky. Concerned about his people, Alexander stepped from his carriage. That’s when a second bomb was thrown. This one landed between his feet. An explosion of fire and shrapnel tore away Alexander’s left leg, ripped open his abdomen, and mangled his face. Barely conscious, he managed one last command: “To the palace, to die there.”
Horrified members of the imperial family rushed to his side. Thirteen-year-old Nicholas, dressed in a blue sailor suit, followed a thick trail of dark blood up the white marble stairs to his grandfather’s study. There he found Alexander lying on a couch, one eye closed, the other staring blankly at the ceiling. Nicholas’s father, also named Alexander, was already in the room. “My father took me up to the bed,” Nicholas later recalled. “ ‘Papa,’ [my father] said, raising his voice, ‘your ray of sunshine is here.’ I saw the eyelashes tremble. . . . [Grandfather] moved a finger. He could not raise his hands, nor say what he wanted to, but he undoubtedly recognized me.” Deathly pale, Nicholas stood helplessly at the end of the bed as his beloved grandfather took his last breath.
“The emperor is dead,” announced the court physician.
Nicholas’s father--now the new tsar--clenched his fists. The Russian people would pay for this. Alexander II had been a reformer, the most liberal tsar in centuries. He’d freed the serfs (peasant slaves) and modernized the courts. But his murder convinced his son, Alexander III, that the people had been treated too softly. If order was to be maintained, they needed to “feel the whip.” And for the next thirteen years of his reign, Alexander III made sure they did.
Young Nicholas, standing beside his grandfather’s deathbed, knew nothing of politics. Frightened, he covered his face with his hands and sobbed bitterly. He was left, he later confessed, with a “presentiment--a secret conviction . . . that I am destined for terrible trials.”